Zhao Benshan once said: your works cannot educate people! 365 days are spent in education. Is it useful for you to educate him this evening?
This remark may have touched the resonance of many people for the Spring Festival Gala, making the audience have a little doubt when looking forward to the Spring Festival Gala.
The announcement of the rehearsal lineup for the 2024 Spring Festival Gala does not seem to fully meet the expectations of the audience, but gives people the feeling of being thrown with cold water.
What is more worrying is that Yu Lei once again directed the Spring Festival Gala, which caused a lot of attention and doubts.
The Spring Festival Gala was criticized last year, and now Yu Lei is back in office, and audiences are worried about the choice of directors, worried about whether the Spring Festival Gala in the new year will once again fall into the same position.
The exposed rehearsal list seems to have deepened the audience's misgivings, as this year's cast is dominated by film and television actors rather than professional comedians.
Language programs were originally the "hard dish" of the Spring Festival Gala, but this year's lineup seems to run counter to the expectations of the audience.
Audiences are increasingly disappointed with the change, dominated by traffic stars and film and television actors, saying that it is no longer the Spring Festival Gala they are familiar with.
Perhaps, the audience's feeling that the language works of the Spring Festival Gala have gradually lost interest in recent years is precisely because of the educational significance.In this regard, Zhao Benshan's view may not be without reason.
Excessive educational elements may make the Spring Festival Gala lose its original entertainment nature, making the audience feel aesthetic fatigue.
In the Spring Festival Gala in the past few years, a large number of popular elements, network terms and social hotspots have been injected into the Spring Festival Gala, which limits the expression of language works.
The audience gradually found that the once hilarious sketches, crosstalk and other performances gradually become dull, losing the dexterity and humor of the past.
That may be one reason why viewers are unhappy with this year's lineup.
Of course, the guest lineup in the rehearsal list can not completely determine the quality of the entire Spring Festival Gala, but this is indeed a focus of audience attention and discussion.
Judging from the choice of guests, this year's Spring Festival Gala may lack some freshness and creativity, which makes the audience feel that the Spring Festival Gala has become less interesting.
Perhaps, the Spring Festival Gala needs more attempts and breakthroughs to meet the diversified needs of the audience for entertainment.
From the choice of actors to the creation of programs, we need more innovation and bold attempts.
Only in this way can the Spring Festival Gala maintain its vitality in the ever-changing entertainment market and attract more audience attention.
With the passage of time, the Spring Festival Gala, as a representative activity of Chinese traditional culture, is gradually facing unprecedented difficulties.
Perhaps the root cause of this dilemma is not the audience's dissatisfaction with the style of the Spring Festival Gala, but more reflected in the withdrawal of the old artists, the audience's nostalgia for the classics of the past and a series of problems faced by the Spring Festival Gala itself in the reform.
How to find their own way out in this dispute, win back the hearts of the audience, become an indispensable part of family reunion, become a much-anticipated cultural and traditional activity, has obviously become an arduous task.
Audience expectations may not really disappear, but instead turn into nostalgia for past classics.
The withdrawal of older artists makes people lament the passage of time, but also raises concerns about traditional culture.
Under the impact of the new era, the traditional culture is facing the crisis of marginalization, and the Spring Festival Gala, as a part of it, is inevitably impacted.
The audience's nostalgia for those classic programs, performances and artists in the past reflects an urgent need for cultural inheritance and continuation.
If the Spring Festival Gala wants to regain the recognition of the audience, it needs to better adapt to the aesthetic and cultural needs of contemporary society while maintaining the tradition.
The problems faced by the Spring Festival Gala are not limited to the changes of artists, the audience's dissatisfaction with the style is also a factor that can not be ignored.
In the past few years, obvious changes have taken place in the content and form of the Spring Festival Gala. Some traditional elements have been watered down and some commercial elements have been introduced, which has aroused questions from viewers.
In the environment of entertainment and commercialization, whether the Spring Festival Gala can maintain its original cultural heritage has become a controversial topic.
The audience's expectation for the Spring Festival Gala is not only simple laughter and entertainment, but also respect and cherish the culture and tradition.
In order to really win the hearts of the audience, the Spring Festival Gala needs to maintain respect for tradition in innovation, not only to meet the aesthetic needs of modern audiences, but also to maintain cultural uniqueness.
Perhaps, the Spring Festival Gala needs to reflect deeply on its own changes.From the glory of the past to the present predicament, there must be some problems to be faced seriously.
While pursuing the ratings, does the Spring Festival Gala sacrifice the pursuit of artistic quality? Has the responsibility of cultural inheritance been ignored under the tide of commercialization?
Does the creative team of the Spring Festival Gala have a keen insight into the needs of the audience, as well as social and cultural changes? In the ever-changing era, maintaining the sensitivity to the audience and society is a problem that must be considered in the Spring Festival Gala.
Whether the Spring Festival Gala can attract more new generation of artists, inject new blood into the program, make the Spring Festival Gala find a balance between traditional and modern, is also a direction that needs to be seriously considered.
Finding a direction more in line with the expectations of the audience in the change requires not only the efforts of the Spring Festival Gala itself, but also the joint efforts of all sectors of society.
The government, cultural institutions, media and other aspects should jointly pay attention to the fate of the Spring Festival Gala and provide a better environment for its development.
The government can increase support for traditional culture, provide more policy support, and encourage artists to show the charm of traditional culture in the Spring Festival Gala.
Cultural institutions can strengthen cooperation with the Spring Festival Gala, jointly plan programs with more cultural connotations, and promote the Spring Festival Gala to make greater achievements in cultural heritage.
The media can guide the audience to pay attention to the cultural value of the Spring Festival Gala by means of publicity and reporting, carry forward positive energy, and form a good atmosphere of public opinion for the Spring Festival Gala.
Generally speaking, the Spring Festival Gala needs profound reflection and positive reform in order to win the hearts of the audience in the current predicament.
Only by maintaining respect for traditional culture, innovating program forms, attracting more outstanding artists, and jointly promoting the development of the Spring Festival Gala with the help of various forces, can we find a direction that is more in line with the expectations of the audience in the change.
The Spring Festival Gala is a business card of Chinese culture, and its rise and fall is closely related to the changes of society and culture.
Only with joint efforts can the Spring Festival Gala coruscate new vitality under the background of the new era, become a part of Chinese cultural heritage, and bring more cultural splendor to the national audience.