In this Great Hall of the people, illuminated by applause and flashing lights, the 11th National Congress of the Chinese Film Association arrived as scheduled. Apart from the solemn venue and the elegant dress of the guests, nothing attracts more attention than the big stars under the camera.
This time, they are forced to put down their heavy makeup, abandon all vanity, and face their undisguised selves.
Is this a brilliant show, or does it reveal their true background like a demon mirror? Who is still elegant demeanor, who is old and unbearable, all in an instant.
Huang Xiaoming has become the focus of people's attention. the former teenage idol now looks a little unusual under the camera. with the traces of the years, his face becomes more and more round and the hairline gradually moves back.
Is this movie superstar inadvertently polished into a different look by the years? Does Huang Xiaoming's weight gain mean that he is ushering in a new career peak, or is it just time to take away his former youth?
On the opposite side, Zhou Xun withstood the impact of time with her tenacious posture, and her face seemed to be a forbidden place that could not be touched by the years, still maintaining her youthful demeanor.
Does the actress have some strange secret that makes her so determined in the course of time? Is Zhou Xun the darling of the times, or is she herself hiding incredible secrets in silence?
This feast without makeup is much more than just a contest over appearance. Behind the camera, we see the stories carved by time on these superstars in the photos of veteran artist Li Xuejian and Huang Xiaoming getting fat.
Li Xuejian has always been the old artist who stands proudly in the vicissitudes of cinema. His face is engraved with the mark of years, but it reveals an unshakable tenacity.
At the same time, Huang Xiaoming, once a teenage idol, has gradually lost his face in the flow of time. Does this change indicate that his career will reach a new peak, or is it a regrettable farewell?
In this era of appearance supremacy, these stars, in addition to the competition in appearance, their inner world is not quiet.
Liu Dehua, Zhou Xun, Song Jia, Yi Yi Qianxi, Zhou Dongyu, Qin Hailu, Chen Sicheng, Haiqing, Huang Bo, and so on, what is the relationship between their career glory and private twists and turns?
Are these conflicts at the bottom constantly shaping their art of expression? Is it caused by the external halo, or is the inner conflict the real driving force of creation?
New Chairman of China Film Association Chen Daoming: new era, New styleDuring the best part of the conference, Chen Daoming was elected president of the new China Film Association, which has attracted a lot of attention and is now the leader of the China Film Association. does this appointment mark a new elegant demeanor for Chinese films?
Does Chen Daoming have the ability to lead this huge association to a new height? The arrival of Chen Daoming is not only the change of the new chairman, but also the mark of the new era that Chinese films are facing.
In this era of ever-changing entertainment industry, can he conform to the trend while maintaining respect for tradition?
Will the Chinese films of the new era glow with new vitality under his leadership, or will they continue to follow the past model? This series of problems may become the key point for the development of Chinese films in the future.
When the big stars in the camera show people without makeup, their background color is fully revealed. behind the appearance dispute, there is each star's inner monologue and struggle.
The years are ruthless, but these superstars have shown their tenacity and fearlessness in the erosion of time, and the new chairman of the China Film Association, Chen Daoming, represents the test of a new era facing Chinese films.
Whether to pursue external halo or deep cultivation of internal strength is a question that every star is thinking about.
In this era of face-watching, can they still stand out in the fierce competition with solid acting skills and firm hearts? Chinese film, as the inheritor and innovator of culture, where will it go?
On the stage of the Great Hall of the people, the stars show not only the beauty of appearance, but also the style of an era, in which the fate of stars is closely linked to the future of Chinese films.
Whether their background can withstand the baptism of time, whether they can shine on the stage of the new era, perhaps only time can give the final answer.
In this era of appearance supremacy, the choice of stars has become particularly important, whether to blindly pursue the bright appearance, or pay more attention to the inner depth and connotation? This is a choice that every star is facing.
In this feast without makeup, their background was mercilessly exposed, but what is more worth pondering is whether this state of nudity can find its own territory in the entertainment industry.
Huang Xiaoming's weight gain may mean that he is no longer stuck to the idol image of the past, but pay more attention to the depth and connotation of performance, this change may be a kind of liberation, is a breakthrough in his continuous exploration of acting.
Zhou Xun's persistence highlights a kind of inner self-confidence and calmness, and she expresses her persistence and love for the acting career with the real side.
In such a choice, the balance between appearance and heart is an important issue for every star on the way forward.
Chen Daoming's election is not accidental, it is a recognition of his role in acting and literary work over the years. As the new chairman of the China Film Association, he will shoulder the responsibility of leading a new chapter in Chinese films.
Under the background of the surging trend of the times, Chinese films need not only new faces, but also new thinking and innovation.
Can Chen Daoming show his dual charm as an artist and a leader under this new responsibility and push Chinese films to a higher level? This is not only a change of power, but also an expectation for the future development direction of Chinese films.
Under his leadership, whether Chinese films can find more room for development on the international stage and whether they can make more breakthroughs in creation will become an important test for him in charge of the Film Association.
Everything in the Great Hall of the people, whether it is the faceless show of the big stars or Chen Daoming's new appointment, will eventually be attributed to the choice of the audience, who is the lifeline of the film industry, and their reputation and support determine the success or failure of a film.
In this era of information explosion, whether the audience can see the true side of the stars and whether they can treat the film works rationally may be an important challenge for the whole industry.
The future of the film also depends on the choice of the audience, whether to chase the dazzling star halo, or pay more attention to the quality of the film itself?
Should we follow the traditions of the past or bravely meet the new trends? Chinese film will find its own direction in every choice of the audience.
On this huge stage, every star is a dancer, every audience is a judge, and the future of Chinese film will be an expectant performance.
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